Gogolʼs Parody of the Novella Genre (“The Carriage”) |
Ekaterina G. Paderina
|
Pages 5-23 |
The Image of the Flâneur in the Early Lyrics of Valeriy Bryusov: the National and Western European Context |
Ekaterina Kuznetsova
|
Pages 24-41 |
Sergey Durylin and Boris Sadovskoy: An Unpublished Correspondence |
Jurij А. Izumrudov
|
Pages 42-57 |
Baron E.F. Rozen and “The Literary Supplement to the Russky Invalid” (1831–1832) |
Nikolai V. Kuts
|
Pages 58-69 |
Bestiary Images in the Works of Tommaso Landolfi |
Liudmila E. Saburova
|
Pages 70-77 |
Ekphrasis and Its Functions in “The Goldfinch” by Donna Tartt |
Ekaterina M. Fomina
|
Pages 78-86 |
Ivan F. Gorbunov as a Collaborator of the Journal “Time” (On the Note Previously Attributed to Dostoevsky) |
Kirill Yu. Zubkov
|
Pages 87-92 |
The motif of the world mountains in the options Buryat Geseriada |
Erzhena Aiusheeva
|
Pages 93-100 |
Rhythm of Russian Trochaic Pentameter in the 20th Century |
Ilya I. Neshcheretov
|
Pages 101-115 |