Ekphrasis and Its Functions in “The Goldfinch” by Donna Tartt

 
PIIS241377150015626-1-1
DOI10.31857/S241377150015626-1
Publication type Article
Status Published
Authors
Occupation: Assistant Professor at the National Research University Higher School of Economics (Nizhny Novgorod)
Affiliation: National Research University Higher School of Economics (Nizhny Novgorod)
Address: Russian Federation, Nizhny Novgorod
Journal nameIzvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka
EditionVolume 80 Issue 3
Pages78-86
Abstract

The article discusses the actualization of pictorial ekphrasis in Donna Tartt’s novel “The Goldfinch”. The description starts with an overview of previous scholarly studies in order to show the evolution of the term through time. To illustrate the prominent role ekphrasis plays in the text, the various examples are adduced. Classifications of ekphrastic functions offered by M. Rubins, E. Postnova, and N. Bochkareva help us to point out the huge impact the canvas by Karel Fabricius has upon the life of the main character, its special value within the genre of the Bildungsroman, and the key role of the ekphrasis in sustaining the novel’s narrative. Our analysis of the ways ekphrastic passages function in “The Goldfinch” helps to reveal that the text contains not only verbalizations of the visual image and not only authorial interpretation of this image, but also a complicated set of meanings related to the mysterious canvas that informs the whole novel. Among the discussed functions there are prophetic, compositional, characterological, metapoetic, chronotopic, genre-forming, and didactic.

Keywordsekphrasis, “Goldfinch”, Tartt, Decker, Bildungsroman
Received27.06.2021
Publication date27.06.2021
Number of characters26123
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