| A History of “Cohesion”: from M. O. Gershenzon’s “The Poet’s Vision” to V. Weidlé’s “Les Abeilles d’Aristée” |
Natalia Smirnova
|
Pages 5-13 |
| The Motive of Foolishness in the Novel by F. M. Dostoevsky “Demons” |
Alexander B. Krinitsyn
|
Pages 14-24 |
| Transformation of Oblomov’s Portrait in Two Editions of I. A. Goncharov’s Novel: About Literary Discussion with “Physiologies” of F. V. Bulgarin |
Irina A. Belyaeva
|
Pages 25-34 |
| Literature vs Psychopathology (On the Autobiographic Subtext of Dostoevsky’s Tale “The Double”) |
Sergej Kibalnik
|
Pages 35-42 |
| A History of Design, Creation, Publication, and Critical Reception of Lyubov Gurevich’s Novel “Flatland” (“Ploskogoryeˮ) |
Maria V. Mikhailova
|
Pages 43-57 |
| Semantics of Conscience in Richard III: “Worm”, “Coward”, “Witness” |
|
Pages 58-63 |
| “Point of View” as a Compositional Technique |
|
Pages 64-69 |
| The Opposition of “Kindred / Alien” in Small Genres of Buryat Folklore |
Ludmila Dampilova
/
Sesegma D. Ghympilova
|
Pages 70-76 |
| Nomination of Family and Kinship in Arkhangelsk Dialects |
Irina Kachinskaya
|
Pages 77-85 |
| The Story “Childhoodˮ by Panteleimon Romanov: An Immersion into Creative History |
Lyudmila Surovova
|
Pages 86-94 |
| “Mad People All Around”: Universal Insanity in A. I. Herzen’s “Doctor Krupov” and F. M. Dostoevsky’s “Notes from the Dead House” |
|
Pages 95-100 |
|
From the History of Philology
|
| On the Beginning of Author’s Lexicography in Russia |
|
Pages 101-111 |
|
Chronicles
|
| International Conference “Indo-European Linguistics and Classical Philologyˮ (Readings in memory of Professor I. M. Tronsky) |
|
Pages 112-122 |
