| “The Fall of Paris” as “the End of Modernism”: Eschatology, War and Ilya Ehrenbourg in a Succession of Cultural Mirrors |
Vadim V. Polonsky
|
Pages 5-14 |
| Reflections on Osip Mandelstam’s Poem “Erected on a Wet Stone …” (1909) |
Dmitry V. Frolov
|
Pages 15-21 |
| Intralingual Varieties in Interlingual Contact (The Case of Migrant Russian in Germany) |
Vladislava Warditz
|
Pages 22-36 |
| On Theoretical and Empirical Terms |
Serguey D. Shelov
|
Pages 37-48 |
| D. S. Merezhkovsky. What Joy Will Come [1916] Foreword and Comments by Elena A. Andrushchenko |
Elena A. Andrushchenko
|
Pages 49-57 |
| Sergey Durylin on Shakespeare in the Russian Theatre: On the Question of the Modalities of Theater Critical Writing in the USSR in the 1930s–1950s |
Dmitry N. Zhatkin
/
Vera Serdechnaya
|
Pages 58-67 |
| M. Gorky’s Unfulfilled Literary and Publishing Project “The History of the Gorky Region” |
Natalia N. Primochkina
|
Pages 68-77 |
| Revisiting the Brownings’ Poetry in the Pages of Neo-Victorian Novels and their Russian Translations |
Elena Haltrin-Khalturina
|
Pages 78-86 |
| Normativity Within the System of Fundamental Categories of Explanatory Lexicography: To the Problem of Dictionary Typology |
Roman I. Vorontsov
|
Pages 87-108 |
| The Role of Historical Sources in Commenting on A. N. Tolstoy’s Novel Peter the Great |
Anna S. Akimova
|
Pages 109-114 |
|
Reviews
|
| [Review:] Kibalnik, S. A. Cryptography of Russian Writers: from Pushkin to Nabokov: [monograph]. The Institute of Russian Literature (Pushkin House) of the Russian Academy of Sciences. St. Petersburg, Publishing House “Petropolis”, 2022. 433 p. ISBN 978-5-9676-1459-0 |
Mária Rácz Ildikó
|
Pages 115-117 |
|
Chronicles
|
| International Scientific Conference “Estate and Dacha in the Literature of the Soviet Era: Losses and Gains” |
Olga A. Bogdanova
|
Pages 118-125 |
