Gavriil Derzhavin’s “Felitsaˮ, J.F. Marmontel’s “Belisariusˮ and the Strategy of Literary Success in the Court of Catherine the Great

 
PIIS160578800018923-1-1
DOI10.31857/S160578800018923-1
Publication type Article
Status Published
Authors
Occupation: Senior Researcher
Affiliation: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
Address: 25a Povarskaya St., Moscow, 121069, Russia
Journal nameIzvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka
EditionVolume 81 Issue 1
Pages74-81
Abstract

The article offers an analysis of literary contexts of G.R. Derzhavin's ode “Felitsa”, suggesting to recognize Marmontel’s “Bélisaire” (“Belisarius”) as a source for key ideological concerns. The work of a French encyclopédist was translated into Russian by Catherine II and a group of noblemen. Derzhavin, much like the author of “Belisarius”, built his text around the antithesis: he opposed the “vices” of aristocrats to the idealized image of the monarch. Thus, “Felitsa” belongs in the same category of texts as “Nakaz” (“Order”), “Velizer” (“Belisarius”), “Vsyakaya vsyachina” (“All sorts of things”), and especially “Sobesednik liubitelei rossiiskogo slova” (“Companion for the Lovers of Russian Letters”), which were authored or inspired by the Russian Empress and were addressing the nature of power and the way of things between the monarch and his/her subjects. The latter, the “Companion”, not only opened with “Felitsa”, but also offered new ideologemes of power and became instrumental in creating Derzhavin’s reputation as a poet.

KeywordsCatherine II, Gavriil Derzhavin, “Felitsa”, J.F. Marmontel, “Belisarius”
Received25.08.2021
Publication date11.03.2022
Number of characters24073
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