Avant-garde in fetters of freedom: Suprematism of Kazimir Malevics and Zenithism of Lubomir Micić

The article discusses the concept of will in the poetics of the historical avant-garde. On the basis of a comparative analysis of the connotations of the word will/volition/freedom (‘volya’ in Russian) in Malevich’s poetry and the neologism invented by Lubomír Micić (the South Slavic avant-garde), the idea of a typological proximity of the two artistic phenomena of the twentieth century, remote in space and different in forms of manifestation, is put forward.

Keywords

will, avant-garde, poetry, Kasimir Malevich, South Slavs, Zenit, Lubomir Micić

Received

28.01.2020

Publication date

28.01.2020

Number of characters

7751

Cite

GOST	Zlydneva N. Avant-garde «in fetters» of freedom: Suprematism of Kazimir Malevics and Zenithism of Lubomir Micić // Slavianovedenie – 2020. – Issue 1 C. 64-66 [Electronic resource]. URL: https://slav.jes.su/S0869544X0008128-3-1 (circulation date: 17.04.2024). DOI: 10.31857/S0869544X0008128-3
MLA	Zlydneva, Nataliya "Avant-garde «in fetters» of freedom: Suprematism of Kazimir Malevics and Zenithism of Lubomir Micić." Slavianovedenie 1 (2020):64-66. DOI: 10.31857/S0869544X0008128-3
APA	Zlydneva N. (2020). Avant-garde «in fetters» of freedom: Suprematism of Kazimir Malevics and Zenithism of Lubomir Micić. Slavianovedenie (1), pp.64-66 DOI: 10.31857/S0869544X0008128-3

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