The Neosyncritism of Subjects in the Russian Lyrics of the 20th Century: the Problems of Typology and Analysis

 
PIIS241377150005410-4-1
DOI10.31857/S241377150005410-4
Publication type Article
Status Published
Authors
Occupation: Professor at the Department of Theoretical and Historical Poetics
Affiliation: Russian State University for the Humanities
Address: Moscow, Miusskaya sq. 6, Moscow, GSP-3, 125993, Russia
Journal nameIzvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka
EditionVolume 78 issue 3
Pages33-38
Abstract

This paperis devoted to the problem of the neosyncritism of subjects. The neosyncritism of subjects is a specific principle of the subjective organization. It is characterized by the revival of archaic subject features in the new literature. The methodological basis of the article is the concept of  S.N. Broitman. The material of the article is Russian lyric poetry of the 20thcentury. The article addresses the following issues: a definition of the concept of the neosyncritism of subjects, the distinction between the concepts of the neosyncritism of subjects and the transgression, the selection of varieties of the neosyncritism of subjects in the Russian, a description of methods for its analysis. The neosyncritism of subjects is considered as blurring the boundaries between various subjects and their functions in a literary text, with the aim of aesthetic understanding of the complementarity of the categories “I&8j1;and “The Other&8j1;.We propose to build up the typology of the neosyncritism of subjects, based on the functions of the subject in the text, methods of their realization and the boundaries between these functions and methods. To analyze this phenomenon, it is necessary to analyze the subject structure of the lyric poem. 

Keywordsneosincretism of subjects, lyrical subject, lyric subject structure, boundary, transgression.
Received05.06.2019
Publication date24.06.2019
Number of characters17713
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