The Image of Christ the Beloved and the Problems of Subjectivity in the Women’s Lyrics of the Silver Age

 
PIIS160578800024634-3-1
DOI10.31857/S160578800024634-3
Publication type Article
Status Published
Authors
Affiliation: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
Address: 25а Povarskaya Str., Moscow, 121069, Russia
Journal nameIzvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka
EditionVolume 82 Issue 1
Pages51-66
Abstract

The article analyzes the individual author’s incarnations of the image of Christ in the poetry of Z. Gippius, M. Lokhvitskaya, E. Dmitrieva (Cherubina de Gabriak), A. Herzyk, E. Kuzmina-Karavaeva and A. Barkova. Falling in love with Christ is colored in the women’s lyrics of the Silver Age with erotic tones, and his divine beauty becomes the subject of poetic description. The appeal to this image is closely connected with the problems of subjectivity and the search for a new author’s identity, which characterize women’s lyrics of the turn of the 19th–beginning 20th centuries. By reconstructing traditional ideas about femininity, female authors also destroy traditional ideas about love lyrics, about the “other” in relation to whom they define their “I”: Christ is put in place of the Romantic ideal lover. Submission to him does not deprive the female author of subjectivity, but on the contrary – allows one to prove the right to creativity. This is evidenced by the motive of the choice of the lyrical heroines of these authors. Implicitly, they relate themselves to such holy chosen ones as St. Teresa of Avila or St. Catherine of Siena, who became famous both as “beloved”, earthly “spouses” of Christ, and as writers, having gained the right to speak in the masculine culture of the late Middle Ages.

Keywordswomen’s lyrics, Christ the beloved, the problems of subjectivity, femininity
AcknowledgmentThe research was carried out at the expense of a grant from the Russian Science Foundation (project No. 19-78-100, https://rscf.ru/project/19-78-10100/) at the A.M. Gorky Institute of World Literature of the RAS
Received28.03.2023
Publication date28.03.2023
Number of characters55730
Cite  
100 rub.
When subscribing to an article or issue, the user can download PDF, evaluate the publication or contact the author. Need to register.

Number of purchasers: 0, views: 210

Readers community rating: votes 0

1. Annensky, I.F. O sovremennom lirizme [About Modern Lirism]. Kritika russkogo simvolizma [Criticism of Russian Symbolism]. In 2 Vols. Vol. 2. Moscow, Olimp; AST Publ., 2002, pp. 267–359. (In Russ.)

2. Ekonen, K. Tvorets, subjekt, zhenshchina: Strategii zhenskogo pisma v russkom simvolizme [Creator, Subject, Woman: Strategies of Women’s Writing in Russian Symbolism]. Moscow, NLO Publ., 2011. 400 p. (In Russ.)

3. Berdyaev, N. Metafizika pola i liubvi [Metaphysics of Sex and Love]. Pereval. 1907, No. 5, pp. 7–17; No. 6, pp. 24–36. (In Russ.)

4. Koltonovskaya, E. Zhenskoe (Vmesto predisloviia) [Feminine (Instead of a Preface)]. Koltonovskaya, E. Zhenskie siluety. Statji i vospominaniia (1910–1930) [Female Silhouettes. Articles and Memoirs (1910–1930)]. Moscow, Common place Publ., 2020, pp. 196–200. (In Russ.)

5. Rjutkjonen, M. Gender i literatura: problema “zhenskogo pisma” i “zhenskogo chtenija” [Gender and Literature: the Problem of “Women’s Writing” and “Women’s Reading”]. Filologicheskie nauki [Philological Studies]. 2000, No. 3, pp. 5–17. (In Russ.)

6. Gippius, Z. Stichotvorenia [Poems]. St. Petersburg, Acadamicheskij proekt Publ., 1999. 589 p. (In Russ.)

7. Pyman, A. Istoriia russkogo simvolizma [The History of the Russian Simbolism]. Moscow, Respublika Publ., 1998. 415 p. (In Russ.)

8. Lochvickaya, M. Sobranie sochinenij [Collected poems]. In 3 Vols. Мoscow, Dmitrij Sechin Publ., 2018. (In Russ.)

9. Vagner, R. Zigfrid. Opera v trech dejstvijach (Libretto) [Zigfrid. Opera in Three Acts. Libretto]. URL: http://libretto-oper.ru/wagner/siegfried (In Russ.)

10. Kuznetsova, E.V. Obraz sviatoj Terezy Avilskoj v zhenskoj lirike Serebrianogo veka. Statja pervaia [The Image of Saint Teresa of Avila in the Female Lyrics of the Silver Age. The First Article]. Novyj filologicheskij vestnik [New Philological Bulletin]. 2021, No. 2 (57), pp. 194–211. (In Russ.)

11. Kuznetsova, E.V. Obraz sviatoj Terezy Avilskoj v zhenskoj lirike Serebrianogo veka. Statja vtoraia [The Image of Saint Teresa of Avila in the Female Lyrics of the Silver Age. The Second Article]. Novyj filologicheskij vestnik [New Philological Bulletin]. 2022, No.1, pp. 161–179. (In Russ.)

12. Ekaterina [sviataja] [St. Ekaterina]. Pravoslavnaja enciklopedia [Orthodox Encyclopedia]. URL: https://www.pravenc.ru/text/189599.html (In Russ.)

13. Сherubina de Gabriak. Ispoved [Confession]. Мoscow, Agraf Publ., 1998. 384 p. (In Russ.)

14. Merezhkovsky, D.S. Ispanskie mistiki: Sviataja Tereza Iisusa, Sviatoj Ioann Kresta. Malenkaja Teraza [Spanish Mystics: Saint Teresa of Jesus, Saint John of the Cross. Little Theresa]. Тomsk, Vodolej Publ., 1997. 287 p. (In Russ.)

15. Berdyaev, N. Utonchennaia Fivaida (Religioznaia drama Giuismansa) [The Refined Thebaid (Huysmans’ Religious Drama)]. Berdiaev, N. Filosofiia svobody [The Philosophy of Fridom]. Moscow, 1911, pp. 255–280. (In Russ.)

16. Pakhareva, T.A. Obraz “monakhini-bludnicy” v kulturnom kontekste Serebrianogo veka [The Image of a “Nun-Harlot” in the Cultural Context of the Silver Age]. Anna Akhmatova: epokha, sudba, tvorchestvo: Krymskij Akhmatovskij nauchnyj sbornik [Anna Akhmatova: Epoch, Fate, Creativity: Crimean Akhmatova Scientific Collection]. Issue 9. Simferopol, 2011, pp. 227–237. (In Russ.)

17. Gertsyk, A.K. Iz kruga zenskogo. Stichotvorenia. Esse [From the Female Circle. Poems. Essay]. Moscow, Agraf Publ., 2004. 552 p. (In Russ.)

18. Zajtsev, B.K. Iz dnevnika [From Diary]. Gertsyk, A.K. Iz kruga zhenskogo. Stikhotvoreniia. Esse [From the Female Circle. Poems. Essay]. Moscow, Agraf Publ., 2004, pp. 517–518. (In Russ.)

19. Bonetskaya, N. Syostry Gercyk kak fenomen Serebryanogo veka [The Herzyk Sisters as a Phenomenon of the Silver Age]. Moscow; St. Petersburg, 2020. 768 p. (In Russ.)

20. Dillon, K. Adelaida Gertsyk (1874–1933). Russian Women Writers. Vol. 1. New York and London. Garland Publishing, Inc., 1999, pp. 535–552. (In English)

21. Ric, G. Adelaida Gercyk – poetessa mezh vremenem i vechnostyu [Adelaide Herzyk – Poet Between Time and Eternity]. Gertsyk, A.K. Iz kruga zhenskogo. Stichotvorenya. Esse [From the Female Circle. Poems. Essay]. Moscow, 2004, pp. 5–30. (In Russ.)

22. Scherr, B.P. Cherubina de Gabriak (1887–1928). Russian Women Writers. Vol. 1. New York and London. Garland Publishing, Inc., 1999, pp. 481–490. (In English)

23. Kuzmina-Karavaeva, E.Y. Ravnina russkaja: stichotvorenia i poemy. Misterii. Сhudozestvennaja i avtobiograficheskaja proza. Pisma [Russian Plain: Poems and Poems. Mystery Plays. Fiction and Autobiographical Prose. Letters]. St. Petersburg, Iskusstvo-SPb. Publ., 2001. 767 p. (In Russ.)

24. Bobrova, E.V. Rol mifologicheskoj obraznosti v iazykovoj kartine mira E.Iu. Kuzminoj-Karavaevoj (na primere cikla stikhotvorenij “Nevziraiushchij”) [The Role of Mythological Imagery in the Linguistic Picture of the World by E.Y. Kuzmina-Karavaeva (on the Example of the Cycle of Poems “The Non-Contemplative”)]. Vestnik Nizhegorodskogo universiteta im. N.I. Lobachevskogo [Bulletin of the N.I. Lobachevsky Univercity of Nizhny Novgorod]. 2011, No. 6 (2), pp. 67–70. (In Russ.)

25. Barkova, A. Zenschina: Stikhi [Women: Poems]. Petrograd, Gosudarstvennoje izdatelstvo Publ., 1922. 96 p. (In Russ.)

26. Lunacharsky, A.V. (Predislovie) [Preface]. Barkova, A. Zhenshchina: Stikhi [Women. Poem]. Petrograd, 1922, pp. 3–4. (In Russ.)

27. Zuseva-Ozkan, V.B. Deva-voitelnica v literature russkogo modernizma [The Warrior Maiden in the Literature of Russian Modernism]. Moscow, Indrik Publ., 2021. 712 p. (In Russ.)

Система Orphus

Loading...
Up