The Gorokhovo culture in the system of the Trans-Ural antiquities of the Early Iron Age

 
PIIS086960630004109-8-1
DOI10.31857/S086960630004109-8
Publication type Article
Status Published
Authors
Affiliation: Tyumen State University
Address: Russian Federation, Tyumen
Journal nameRossiiskaia arkheologiia
EditionIssue 1
Pages4-19
Abstract

The paper analyzes the discussion on the place of culture of Gorokhovo in the system of the early Iron Age antiquities in the Trans-Urals. The author proves functional diversity of the two types of ware: Vorobyevo type is interpreted as kitchen utensils and package, while Gorokhovo type is tableware. They are found together in all settlements that makes it possible to unite them in one single Gorokhovo culture. Originality of the dwelling structures, fortified settlements, pottery techniques, cult objects, and burial sites prevent us from treating the Gorokhovo culture as a period or a local variant of the Sargat culture. Their areas, chronological intervals, and main features of the material sphere differ. The population of the Gorokhovo culture occupied the northern and eastern parts of periphery of Ural nomads’ lands in the 6th – 3rd centuries BC. They were mediators in trade and competitors in the struggle for control over caravan routes and pastures against forest-steppe groups. It is assumed that the cause of disappearance of Gorokhovo culture was its carriers’ migration in the 4th – 3rd centuries BC to the Southern Urals under the pressure of their eastern neighbours, the population of the Sargat culture.

KeywordsTrans-Urals, forest-steppe, nomads, the Gorokhovo culture
Publication date28.03.2019
Number of characters25284
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1 Зауральское население, расселявшееся на реках восточных склонов Среднего Урала в раннем железном веке, оставило памятники гороховской культуры. Они были выделены К.В. Сальниковым и датированы им второй половиной I тыс. до н.э. (Сальников, 1962. С. 23). Тогда саргатская культура не была еще определена как самостоятельная, и все древности рассматривались совместно. В 1969–70-х годах В.Е. Стоянов по материалам разведок и раскопок Уральской археологической экспедиции очертил нынешний ареал гороховской культуры, и датировал ее в пределах V–II вв. до н.э. На той же территории он локализовал более ранние памятники воробьевского типа, определив их хронологию VI–IV вв. до н.э. (Стоянов, 1969. С. 245; 1970. С. 60), и включал их в исетскую культуру вместе с иткульскими, против чего аргументировано возражала Г.В. Бельтикова (1977. С. 119, 120), характеризуя особым образом структурированное общество, участвовавшее в региональном разделении труда в качестве горняков и металлургов. Оценка иткульской культуры как специфической в инвентаре, постройках и хозяйстве в дальнейшем была поддержана В.А. Борзуновым (1992. С. 100), А.Д. Таировым (2000. С. 60), В.А. Захом и О.Ю. Зиминой (2001) и др. Точку зрения В.Е. Стоянова модифицировала С.Е. Пантелеева, усматривая в совместном залегании керамики воробьевского и гороховского типов на поселениях взаимодействие населения, проживавшего на одной территории, но изготавливавшего посуду по разным канонам, отражающее дуально-фратриальное деление (Пантелеева, 2010. С. 94).
2 Л.Н. Корякова вслед за В.Е. Стояновым продолжает рассматривать воробьевский тип памятников в рамках “исетской ассоциации”, объединяя их с иткульской культурой горнолесного Урала (Корякова, 1991. С. 30). Гороховские памятники на той же территории она интерпретировала как результат влияния южно-уральских кочевников на местную среду (там же) и как следы жизни гороховского племенного союза, сложившегося практически одновременно с саргатским (Корякова, 1988. С. 165). Мною в 1987 г. по материалам собственных раскопок и сравнительному анализу коллекций шести изученных к тому времени поселений была показана преемственность воробьевского и гороховского типов, они были объединены в одну культуру с прежним названием, чему посвящена специальная статья (Матвеева, 1987; 1991). Л.Н. Корякова и ее соавторы стали рассматривать часть обсуждаемых древностей в рамках “саргатско-гороховского этапа саргатской общности”, датируемого V–III вв. до н.э. (Корякова, 1991. С. 34; Культура…, 1997. C. 141, 142), возвращаясь периодически к понятию “исетского стиля” (Шарапова, 2004). В настоящее время С.Г. Боталовым предложен “саргатско-гороховский историко-культурный горизонт” (2016. С. 473). В.А. Могильников (1992), а вслед за ним А.Д. Таиров (2000; 2016) в своих работах дали обзор аргументации разных точек зрения, не формулируя своей позиции.

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