Stylistic transformation in the films of Pedro Almodovar

 
PIIS0044748X0013682-9-1
DOI10.31857/S0044748X0013682-9
Publication type Article
Status Published
Authors
Affiliation: Institute for Latin American Studies, RAS
Address: Russian Federation, Moscow
Journal nameLatin America
EditionIssue 3
Pages103-110
Abstract

The article examines the features of the author’s style of Pedro Almodovar, one of the most significant modern film Directors. A comparison of different periods of his work allows us to conclude that the deepening of existential motives in his recent films led to a noticeable change in their style. The outrageous farcical aesthetic of the early works gave way to more traditional narrative forms that combine the originality of the author’s style with a deep philosophical understanding.

Keywordsauthor’s style, national traditions, cinematic experiments, farce and grotesque techniques, existential motives
Received19.09.2020
Publication date04.03.2021
Number of characters20806
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