Existential motives in Alexandro González Iñarritu films

Article is devoted to features of the author’s style of the leading directors of Mexican and world cinema Alexandro Gonzalez Iñarritu. The basis of his philosophy of creativity, according to the author, is reflections on existential conflict between the inner world of man and the surrounding reality, exclusion and loneliness. The success of his films is predetermined by the beneficial combination of high professional skill and the unusual originality of the creative style, which allows the director to withstand modern standards of mass film production.

Keywords

national identity, commercial cinema, standardization, existential situation, dramatic conflict

Received

04.04.2020

Publication date

29.07.2020

Number of characters

15023

Cite

GOST	Rostotskaya L. Existential motives in Alexandro González Iñarritu films // Latin America – 2020. – Issue 8 C. 86-92 [Electronic resource]. URL: https://latamerica-journal.ru/S0044748X0010348-1-1 (circulation date: 24.04.2024). DOI: 10.31857/S0044748X0010348-1
MLA	Rostotskaya, Lidia "Existential motives in Alexandro González Iñarritu films." Latin America 8 (2020):86-92. DOI: 10.31857/S0044748X0010348-1
APA	Rostotskaya L. (2020). Existential motives in Alexandro González Iñarritu films. Latin America (8), pp.86-92 DOI: 10.31857/S0044748X0010348-1

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