Emergence of the Iconographical Method in the Early Works by Mikhail Rostovtzeff

In the paper we deal with a process of perception, adoption and development of the iconographical method in the early research of an outstanding Russian historian M. I. Rostovtzeff. The essence of the study is a historiographical analysis of his published reports on archaeological excavations held in Pompeii in the period from 1882 to 1895. We underline the continuity of the young historian’s methodological seeking in relation to the one of his senior colleagues F. I. Buslaev and N. P. Kondakov. This allows us to make preliminary notes about a peculiar school in Russian humanities, which was born at the turn of the nineteenth century. The inseparability and complementarity of historical and art-historical problems in works of its brightest representatives are also emphasized in the paper.

Keywords

M. I. Rostovtzeff, N. P. Kondakov, F. I. Buslaev, A. Mau, iconographical analysis, Pompeii, House of the Vettii

Acknowledgment

The paper was prepared within the framework of the Program for Support of Scientific and Educational Projects of the Russian State Humanitarian University (the project “Historical Science in the Scholarly Dimension”).

Received

03.04.2020

Publication date

17.05.2021

Number of characters

37119

Cite

GOST	Alipov P. Emergence of the Iconographical Method in the Early Works by Mikhail Rostovtzeff // ISTORIYA – 2021. – V. 12. – Issue 4 (102) [Electronic resource]. URL: https://history.jes.su/S207987840002343-6-1 (circulation date: 30.06.2024). DOI: 10.18254/S207987840002343-6
MLA	Alipov, Pavel "Emergence of the Iconographical Method in the Early Works by Mikhail Rostovtzeff." ISTORIYA 12.4 (102) (2021) DOI: 10.18254/S207987840002343-6
APA	Alipov P. (2021). Emergence of the Iconographical Method in the Early Works by Mikhail Rostovtzeff. ISTORIYA 12(4 (102)) DOI: 10.18254/S207987840002343-6

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