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«THE FAKE DOCTOR» IN THE 19TH CENTURY RUSSIAN LITERATURE
 
PIIS013160950028638-5-1
DOI10.31860/0131-6095-2023-4-12-19
Publication type Article
Status Published
Authors
Sergei Kibal’nik 
Occupation: Leading Researcher
Affiliation: Institute of Russian Literature (Pushkinskij Dom), Russian Academy of Sciences
Address: Russian Federation,
Journal nameRusskaia literatura
Edition4
Pages12-19
Abstract

The article deals with the doctor characters whose prototypes have nothing to do with medicine. As a rule, in the works of art, such «doctors» never actually doctor, but reason, doing it, by the most part, from the standpoint of materialism. Thus, it is not a «fake» doctor, but rather a «conditional» one. Sometimes a writer makes his character a «doctor» in order to distract the reader from the actual prototype. This is the case with Turgenev’s Bazarov who had N. A. Dobroliubov for his principal prototype. The article also discusses in detail the type of the «fake», or rather «conditional» doctor, using Doctor Voznesensky from Chekov’s novel The Shooting Party (1885) as the example.

Keywords«conditional doctor», prototype, I. S. Turgenev, N. A. Dobroliubov, Fathers and Sons, The Shooting Party, A. P. Chekhov, doctor Voznesensky.
Received17.11.2023
Publication date30.11.2023
Number of characters25213
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