Secular and religious Istanbul in the Turkish cinema

 
PIIS032150750000695-6-1
DOI10.31857/S032150750000695-6
Publication type Article
Status Published
Authors
Occupation: Research Fellow, Peter the Great Museum of Anthropology and Ethnography (Kunstkamera), Russian Academy of Sciences
Affiliation: Peter the Great Museum of Anthropology and Ethnography (Kunstkamera), Russian Academy of Sciences
Address: Saint-Petersburg, Russia
Affiliation: Peter the Great Museum of Anthropology and Ethnography (Kunstkamera), Russian Academy of Sciences
Address: Saint-Petersburg, Russia
Journal nameAsia and Africa Today
EditionIssue 9
Pages73-79
Abstract

Istanbul - the center of the cultural life of Turkey - became an essential part of feature movies. We can see rich side of the city in the popular TV series and films, while mosques and minarets are demonstrated in movies with theological and mystical plots. Bridges, lonely street benches and far deserted yards are favorite filling of Turkish art house.

lu, Zeki Demirkubuz. Great palaces and poor high-rise buildings of Istanbul are the native symbols for directors who live outside Turkey. At times hard or on the contrary lyrical film works sound like clear resonant echo in Being of Turkish megapolis.

Living in Istanbul, located at the crossroads of Europe and Asia, means to undergo the influence of the Eastern and Western myths. Moreover for many Turks, Istanbul has many opposite meanings. On the one hand, it is dirty, overpopulated, criminal, too big and too cruel; on the other hand, this is a place of endless and impressive opportunities, great hopes, glory and luck.

This article is dedicated to description Istanbul way of life through the national cinema. Scientific methods of the present exploration are approaches of cultural anthropology and film studies.

KeywordsIslam, Sufism, National Cinema, Istanbul, Turkey, Turkish New Wave
Received30.09.2018
Publication date15.10.2018
Number of characters27110
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