Gwangju uprising in literature and cinematography of South Korea: to the 40th anniversary of the 18 May 1980 events

 
PIIS032150750013625-9-1
DOI10.31857/S032150750013625-9
Publication type Article
Status Published
Authors
Affiliation:
Associate Professor, School of Asian Studies, National Research University Higher School of Economics
Research Fellow, Institute of Oriental Studies, Russian Academy of Sciences
Address: Russian Federation, Moscow
Occupation: Lecturer
Affiliation: School of Asian Studies, HSE University
Address: Russian Federation, Moscow
Journal nameAsia and Africa Today
EditionIssue 1
Pages74-78
Abstract

The May 18 1980 Democratic Uprising in Gwangju is one of the most tragic events in South Korean history. Beginning with peaceful demonstrations against the imposition of a state of emergency by the Chung Doo Hwan military regime across the country on May 17, the use of firearms by the Korean army against protesters led to an escalation of the conflict, armed resistance of Gwangju citizens to the authorities. After the suppression of the uprising, preserving memory of it became a significant task of the democratic movement.

Over the past 40 years, the policy of remembering the Gwangju Uprising has undergone significant changes. At present, the memory of Gwangju is maintained through regular commemoration ceremonies organized by the government in the largest cities of the Republic of Korea on May 18 annually, the creation of memorial complexes, memory societies, and school education.

Literature and cinematography play an important role in preserving the memory of the Gwangju uprising. Based on the analysis of poetic literature and contemporary cinema, the article shows which themes and images about the Gwangju Uprising are dominant today, and why it has a special place in the national identity of Koreans. South Korean cinematography shows the Gwangju Uprising as a historical tragedy and tries to reconcile both sides of the conflict - citizens and soldiers.

Traumatic memories of May 18 are like an open wound that can be neither forgotten nor neglected through generations. In South Korean movies, survived participants of the Gwangju uprising still suffer from post-traumatic syndrome while former soldiers cannot get rid of guilt that destroy their identity and life.

KeywordsMay 18 Gwangju Democratic Uprising, South Korea, memory, commemoration, Korean cinema, literature
Received11.02.2021
Publication date26.02.2021
Number of characters18491
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