Blade of immortal in the hands of Takashi Miike

 
PIIS032150750000103-5-1
DOI10.31857/S032150750000103-5
Publication type Article
Status Published
Authors
Affiliation: Center of Japanese Studies, Institute of Oriental Studies, Russian Academy of Sciences
Address: Moscow, Rozhdestvenka street, 12
Journal nameAsia and Africa Today
EditionIssue 7
Pages74-79
Abstract

The article is devoted to the creativity of the cult Japanese film director Takashi Miike, who has released over hundred films, video and television production since his debut in 1991. His works are usually associated with merciless murders, cruelty, blood, absurdity and unreal dreams. But at the same time even in the toughest of them you can find the touching sentiment moments. «Blade of Immortal» is his 100th and the first full-length English-language film, premiered at Canners last year. At the first glance «Blade of Immortal» can be attributed to the Japanese traditional genre - chyambara - historical films with lots of sword fights. But this is more a stylization of this genre because in the film there are also adventure, drama and much more that doesn’t fit into the familiar framework of the samurai action movie. This is far from the only film in Miike’s filmography, praising samurai heroic and the Japanese Middle Ages. It is necessary to name several works of the director, which can be conditionally attributed to the historical genre - djidaigeki. As usual these are remakes of classic Japanese films: «13 Assassins» (a remake of Eiichi Kudo 1963 film of the same title), «Hara-Kiri: Death of a Samurai» (a remake of the 1962 classic by Masaki Kobayashi), a well known action-parody of American and Italian westerns (spaghetti western) «Sukiyaki western Django», which are discussed in detail in this article.

KeywordsTакаshi Miike, ljidaigeki, chyambara, Japanese film, remake, western, samurai,blade of immortal
Received01.08.2018
Publication date27.08.2018
Number of characters24813
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Additional sources and materials

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