1. Babaitsev, A.Yu. 2001. Iskusstvennoe i estestvennoe [Artificial and Natural]. In Postmodernizm. Entsiklopediia [Postmodernism: Encyclopedia], edited by A. A. Gritsanov and M. A. Mozheiko, 338–340. Minsk: Interpresservis; Knizhnyi Dom.
2. Bernshtein, N.A. 1940. Biodinamika lokomotsii (genez, struktura, izmeneniia) [Biodynamica of Locomotion: Genesis, Structure, Alterations]. In Issledovaniia po biodinamike khod’by, bega, pryzhka [Studies in Biodynamic of Walking, Running, Jumping], edited by N. A. Bernshtein, 9–47. Moscow: Fizkul’tura i sport.
3. Daston, L. 2000. The Coming into Being of Scientific Objects. In Biographies of Scientific Objects, edited by L. Daston, 1–14. Chicago: University of Chicago Press.
4. Eco, U. 2007. Shest’ progulok v literaturnykh lesakh [Sixth Walks in Literary Forests]. St. Petersburg: Symposium.
5. Engels, F. 1982. Rol’ truda v protsesse prevrashcheniia obez’iany v cheloveka [The Part Played by Labour in the Transition from Ape to Man]. In Dialektika prirody [Dialectic of Nature], 144–156. Moscow: Politizdat.
6. Fabrikant, M.I. 2005. Zhest [Gesture]. In Slovar’ khudozhestvennykh terminov. GAKhN. 1923–1929. [Dictionary of Art Terms: GAKhn, 1923–1929], edited by I. M. Chubarov, 156–157. Moscow: Logos-Al’tera; Ecce Homo.
7. Foucault, M. 2004. Arkheologiia znaniia [Archeology of Knowledge]. St. Petersburg: Gumanitarnaia Akademiia; Universitetskaia kniga.
8. Gastev, A.K. 1919. O tendentsiiakh razvitiia proletarskoi kul’tury [On Tendencies in the Development of Proletarian Culture]. Proletarskaia kul’tura 9–10: 35–45.
9. Gastev, A.K. 1922. Kak nado rabotat’ [How We Should Work]. Arkhangel’sk: Gubernskaia tipograpiia.
10. Gastev, A.K. 1922. Organizatsionnaia i nauchnaia zhizn’ Instituta truda [Organisational and Scientific Life of the Institute of Labour]. Organizatsiia truda 3: 168–169.
11. Gastev, A.K. 1924. Novaia kul’turnaia ustanovka [A New Cultural Set]. Moscow: VTsSPS–TsIT.
12. Gastev, A.K. 1925. Dvigatel’naia kul’tura [Movement Culture]. Organizatsiia truda 6: 12–13.
13. Haraway, D. 1991. Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge.
14. Ingold, T. 2011. Being Alive: Essays on Movement, Knowledge and Description. London: Routledge.
15. Jones, S. 2013. Literature, Modernism and Dance. Oxford: Oxford University Press.
16. Kaeppler, A.L. 1985. Structured Movement Systems in Tonga. In Society and the Dance, edited by P. Spencer, 92–118. New York: Cambridge University Press.
17. Kaufmann, D. 2000. Dreams and Self-Consciousness. In Biographies of Scientific Objects, edited by L. Daston, 67–85. Chicago: University of Chicago Press.
18. Koyré, A. 1995. Filosofy i mashina [Philosophers and the Machine]. Vestnik russkogo khristianskogo dvizheniia 172 (III): 83–119.
19. Langer, S.K. 1953. Feeling and Form: A Theory of Art. New York: Charles Scribner’s Sons.
20. Latour, B. 2000. On the Partial Existence of Existing and Nonexisting Objects. In Biographies of Scientific Objects, edited by L. Daston, 247–269. Chicago: University of Chicago Press.
21. Leroi-Gourhan, A. 1965. Le geste et la parole. Vol. I. Technique et langage [Gesture and Speech. Vol. I. Technique and Language]. Paris: Albin Michel.
22. Leroi-Gourhan, A. 2015. Razmyshleniia o doistorcheskom iskusstve [Reflections on Prehistoric Art]. In Antropologiia kul’ttury [Anthropology of Culture], 5: 23–36. Moscow: MGU im. M. V. Lomonosova.
23. Mauss, M. 1936. Les Techniques du corps [Body Techniques]. Journal de Psychologie XXXII (3–4): 15–45.
24. McCarren, F. 2003. Dancing Machines: Choreographies of the Age of Mechanical Reproduction. Stanford: Stanford University Press.
25. Novack, C.J. 2010. Looking at Movement as Culture: Contact Improvisation to Disco. In The Routledge Dance Studies Reader, edited by A. Carter and J. O’Shea, 168–180. Oxon: Routledge.
26. Preston-Dunlop, V., and A. Sanchez-Collberg. 2002. Dance and the Performative: A Choreological Perspective: Laban and Beyond. London: Verve Publishing.
27. Rabinbach, A. 1992. The Human Motor: Energy, Fatigue, and the Origins of Modernity. Berkeley: University of California Press.
28. Rae, G. 2013. Heidegger’s Influence on Posthumanism: The Destruction of Metaphysics, Technology and the Overcoming of Anthropocentrism. History of the Human Sciences 27 (1): 51–69.
29. Reynolds, D. 2007. Rhythmic Subjects: Uses of Energy in the Dances of Mary Wigman, Martha Graham and Merce Cunningham. Alton: Dance Books.
30. Rheinberger, H.-J. 2000. Cytoplasmic Particles. In Biographies of Scientific Objects, edited by L. Daston, 270–294. Chicago: University of Chicago Press.
31. Sheets-Johnstone, M. 2011. The Primacy of Movement. Amsterdam: John Benjamins Publishing.
32. Sirotkina, I. 2016. Diskretnoe i kontinual’noe v tantse [Discrete and Continuous in Dance]. Voprosy filosofii 10: 132–142.
33. Sirotkina, I. 2017. “How Can We Know the Dancer from the Dance?”: antropologiia dvizheniia i tantsa [“How Can We Know the Dancer from the Dance?”: Anthropology of Movement and Dance]. Novoe literaturnoe obozrenie 145 (3): 16–30.
34. Veder, R. 2015. The Living Line: Modern Art and the Economy of Energy. Hanover: Dartmouth College Press.
35. Williams, D. 2004. Anthropology and the Dance: Ten Lectures. Urbana: University of Illinois Press.